There are too many damn people in this city! And they are always in your face.

As I was getting off the subway at my stop, I accidentally knocked into a woman who started yelling that I didn’t have to push her, she was getting off too. I was not in a good mood that evening (like THAT’S a surprise) so I said something back. Nothing clever. We had words and went on our way. I always think of the really clever stuff HOURS later. I hate that. She could have at least given me her phone number so that when I came up with a clever retort I could have called her and we could have continued our witty subway banter.
Subway woman: Don’t push me I’m getting off at this stop too.
Carol: Push you, I wouldn’t touch you, you cootie laden dirty skank!
How’s THAT for witty subway banter? It was probably best that I didn’t think of that. Or the next conversation would have been:
Carol: Matt, I’m at the police station in handcuffs. Can you come and get me?
Matt: Who is this?
I wasn’t sure what to write about today and when I showed this painting to Judy she told me she liked it but it made her feel claustrophobic. We are claustrophobia friends. Neither one of us like feeling closed in and we always like being in the “go position.” (That means that we like to be near an exit, not near a bathroom. Although at our age, being near a bathroom is good too.)
So here you go. A painting of buildings on top of buildings. These buildings are in Soho. They are a bit wonky, but then again, so am I.
I decided to try another cityscape after doing one in my drawing on the right side of the brain class. I did not do this one plein air. I did it sitting on my butt. From a reference photo. I did not want to use a ruler. I didn’t want it to look like a stiff architectural drawing. I was hoping to give the buildings some personality. I may have just made them look like they are drunk. Maybe I should be drunk.
*wanders off to get a cocktail*











The light changed so many times it was making me crazy. One time when the teacher came up to check on us, we complained about the light. He laughed and said that’s what made the Impressionists go insane.
I needed help, but did a lot of it myself. First of all, WHO KNEW the ear was SO FAR AWAY from the facial features. And the back of the head???? Miles away. The photo is a little blurry. Sorry. It’s probably for the best.
Apparently the point of that was to use the right side of our brain to see a flattened 2 dimensional image on a picture plane, not a 3 dimensional hand which would then confuse the brain. (My brain is always confused.)



